Persona 5: The Kotaku Review. Imagine your old high school. Picture the doors you’d pass through at the start of each day.

See if you can recall the awkward conversations you had with your friends, or the smell of the cafeteria at lunchtime. Now throw all that in the garbage and replace it with something impossibly cooler, impossibly more stylish, impossibly better. That’s Persona 5. It took me almost 1. Atlus’s new social- sim- role- playing game, and I enjoyed nearly all of them.

Persona 5 is a thick slice of video game decadence, so sweet with style that I was happy surrender to it night after night. The menus in this game have more panache than some video games muster from start to finish. Even the loading screens have vigor to spare.

This review originally ran 3/2. As the weeks wore on, my leisure time became a blur of blushing anime girls, wailing electric guitars, sexy demons, and heist movie hijinks. Was I consuming Persona 5, or was it consuming me? And if a game grabs my attention this confidently, does it really matter? My very short take on this very long game is: it’s good. If you don’t want to know anything else about it, fair warning that from here on out this review will contain spoilers for the first several hours of the game.

I’ll talk a bit about various cast members, the way the story is structured, the powers and abilities you unlock, that kind of thing. No major story spoilers beyond the first act, of course.

I found Persona 5 to be comfortingly predictable on the whole, but that doesn’t mean it wasn’t fun to let it occasionally surprise me. Persona 5 is the latest in a long- running series of similarly titled Japanese role- playing games. In it, you spend half your time managing the day- to- day life of a Japanese high school student, and the other half exploring extra- dimensional dungeons and engaging in turn- based combat against a Monster Manual’s worth of freaky beasts. Persona 5 resolutely follows in the footsteps of its most recent predecessors, 2. Persona 3 and 2. 00. Persona 4. In particular, its creators seem to be consciously attempting to replicate Persona 4’s path toward cultural phenomenondom.

Expect spin- off anime, tie- in dancing and fighting games, themed merch, cat plushies, and crossover events for the foreseeable future. Once more you are put in control of a soft- spoken Japanese teenage boy who has arrived in a new town for a year of temporary residence. Once more you name him; once more you barely hear him speak.

Review, by Roger Ebert: "'Persona' (1966) is a film we return to over the years, for the beauty of its images and because we hope to understand its mysteries.". Six seasons and a movie! Are you one of the fans hopeful that Community will fulfill this prophecy? If so, you're not along, as star Ken Jeong is also hopeful that we. It took me almost 100 hours to finish Atlus’s new social-sim-role-playing game, and I enjoyed nearly all of them. Persona 5 is a thick slice of video game decadence. Persona (1966) cast and crew credits, including actors, actresses, directors, writers and more.

Persona 3 The Movie: #3 Falling Down (劇場版「ペルソナ3」第3章, Gekijōban Perusona 3 Dai San Shō) is a 2015 Japanese animated film and the third. Cast, crew, plot summary, and viewer comments. 03:52. Persona 3 Movie 1 - Arrival English. The protagonist experiencing the Dark Hour. Set in 2009, Persona 3 begins with the protagonist returning to the city of. The second big Stephen King adaptation of the summer, 'It' tries to replace Tim Curry as the scary-clown monster of fans' nightmares.

Once more you uncover dark, supernatural goings- on that only you can stop. And once more you make friends with a group of wacky misfits, teaming up and combining your supernatural powers to fight evil. There are some small but noteworthy twists to the formula this time around, but if you played Persona 4, much of this new entry will feel familiar. The Persona games all technically share the same fictional universe, though like its predecessors, Persona 5 sets its own rules and tells its own standalone story. In the world of Persona, corrupted demonic “shadows” lurk in a parallel dimension, just out of sight. The good guys fight them by summoning Personas—spectral avatars from the far reaches of pop culture, Jungian psychology, and Japanese folklore.

One character may summon a glowing cartoon Zorro, while another calls upon the Shinto god Take- Minakata. Each Persona is meant to represent one of the metaphorical masks we all wear, the version of ourselves that we hold up to the public.

In the heat of the moment, most of that symbolism falls away. Personas let you blast monsters with lightning, and that’s what matters. Much of Persona 5 comes down to efficient schedule management. It’s more exciting than it sounds.) You attend classes by day, then after school you make a choice: do you go to your job at the flower shop, or do you head into an alternate dimension and do battle? Or maybe you just want to hang out with that cute fortune- teller girl you met in the seedy part of town? Which activity will yield the greatest dividends, and which will feel like a waste of time?

On a given day you are usually given two blocks of time to fill: the after- school block and the evening block. Whatever you decide, you’re necessarily setting aside your other options for another day. Choose to go to the batting range after school and you won’t have time to visit the sexy doctor you’ve befriended. Spend your evening reading or making thieving tools and you’ll miss out on the chance to be interviewed by a local crime reporter. And if you spend the day dungeon- crawling and demon- fighting, you’ll be too tired in the evening to do anything but sleep. With each passing day, the game’s calendar moves forward, inexorably pushing you closer to the conclusion. You have a couple hundred days; do with them what you will.

Persona 5 is defined by a peculiar sort of restricted freedom. You have copious options within a rigidly defined structure, and time is always running low. That arrangement can make the game feel both liberating and stressful. It frequently delivers on the promise of letting you live a life in someone else’s shoes, but with the attendant stress that would accompany managing someone else’s schedule. The fate of the world is at stake, but don’t neglect your part- time job! Persona 5 is one of the most stylish video games I’ve ever played. It restlessly pulses toward the corners of your TV screen, as if unable to contain its overabundance of verve.

This game doesn’t run, it bounces, helped along by a giddy and unusually cohesive audio- visual aesthetic. Each time you load the game, you’re greeted with a hyper- stylized animated opening cinematic.

As a pop vocalist sings a catchy tune about changing the world, the main characters leap and dance across a black- and- crimson cityscape. The opening credits list only three names: director Katsura Hashino, artist and character designer Shigenori Soejima, and composer Shoji Meguro. That’s the same creative trio who headed up the two previous Persona games, as well as 2. Catherine, which they made after completing Persona 4.

In the ever- shifting world of video game development, it’s rare to see a creative team stay together for more than a decade, and Persona 5’s unusual self- assuredness is surely the result of the core creative team’s many years of working together. We’ve detailed Soejima’s exceptional art on Kotaku in the past. Once more he has imbued his characters with an outsized, electric poise, even when they’re standing still.

Persona 5’s take on Tokyo is brimming with life and detail, and I’ve never been happier to get lost and wander around in a subway system. Even the options menu crackles with energy. I can’t think of another game that lists its composer third in the opening credits, but Shoji Meguro’s work is such an integral part of Persona 5 that his prominent placement only makes sense. His score is the lifeblood of the endeavor, a thick mixture of pop, lounge, and funk that tirelessly pumps through the game’s arteries. The Fugitive Full Movie In English on this page. In the rare moments when the music stops, it’s as if a city- sized heart has stopped beating.

As the hours stack up, Meguro’s music grows more familiar until each individual composition starts to take on a ritualistic quality. Now we have the Groovy Plan- Hatching Music, then the Surprising Turn Of Events Theme, and after that the Guitar Solo Of Emotional Catharsis. Over and over they play, until you could close your eyes, mute the dialogue, and still have a pretty good idea of what’s happening. Hours after starting the game, I was still bopping my head with a stupid grin plastered across my face. What a pleasure. Aside from its killer sense of style, Persona 5’s story is its greatest strength. There’s no slow build, no how- do- you- do: this one hits the track at high velocity.

Curtains go up as your character, clad in a svelte black trenchcoat and a carnival masque, is running point on a casino heist. The jig is up, and the cops are closing in. Watch Online Watch Crimson Tide Full Movie Online Film there.